The leading tone, a tendency tone that wants to resolve to tonic, exists in both chords in the dominant category. Dominant function chords include V and vii˚. Because it is the goal of motion, it will be the last chord on the functional harmony chart, so we will draw the tonic chord on right-hand side of the chart.Ĭhords in the dominant category most often directly precede tonic. It is home base in a key, and has the most stability and flexibility. Tonic is the ultimate goal in tonal music. We’ll draw the functional harmony chart in major first, and then show the differences in minor. We will examine individual chords in more detail in later chapters. Putting each category into a functional harmony chart shows the relationships between the chords and categories. The second example, however, obscures the expected progressions found in music in such a way that our ears have trouble recognizing where tonic is and understanding where we are in the progression at any time.Ĭhords built on each scale degree in a key can be grouped into categories that share a common function. You should have no trouble singing tonic after listening to the example. The first is written with a chord progression that follows expected motions, ultimately progressing towards tonic. Expected progressions between chords make the music we hear make sense to our ears. Each chord in a key has its own level of status, behavior, and stability. 6.1 Functional Harmony: Tutorial Functional Harmonyįunctional harmony in tonal music centers around the idea that tonic serves as the “home base” in a key and chords built on each scale degree in the scale have predictable relationships with each other and predictable movements as they ultimately progress towards tonic.
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